Print and download in PDF or MIDI La Cathédrale Engloutie – Composed by Claude DeBussy. Made by bmacs La Cathédrale engloutie (The Submerged Cathedral) is a prelude written by the French composer Claude Debussy for solo piano. It was published in as the tenth prelude in Debussy’s first of two . In this piece, Debussy composes the music using motivic development, rather than thematic development. After all. Debussy – La Cathedrale Engloutie (Preludes Book 1 no) sheet music for Trumpet. You can access this piece (and all our high quality, printable PDF files) by.

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Debussy – La Cathedrale Engloutie (Preludes Book 1 no.10) sheet music for Trumpet

To attain these effects that reflect images of the castle, most performers use specific techniques with regards to pedaling and articulation to affect tone color. Arranger Arthur Hartmann In measure 13, cebussy G idea returns for two bars.

The first chord of the piece is made up of sonorous Gs and Ds open fifths. Kate Cook, Musical Style and Genre: Editor First edition reissue. A second theme theme 2appearing for the first time in measuresrepeats in measures The Thematic Process in Music.

Preludes by Claude Debussy compositions Music based on European myths and legends. Apparently a re-engraving of the Durand score above.


You may ask me for a manually cleaned version. MP3 file audio User: The nearly symmetrical form of intro-ABA-outro helps illustrate the legend that Debussy is alluding to in the work, and his markings help point toward both the form and the legend. Creative Commons Zero 1. It can be noted that it took some time for Impressionist music to be appreciated, but the critics and the listening public eventually warmed up to this experiment in harmonic freedom.

These file s are part of the Werner Icking Music Collection. Some extra work has been done in erasing the titles at the beginning of each piece and placing them at the end, following the Author’s wish. Parallel harmony forces the chords to be understood less with functional roots, and more as coloristic expansions of the melodic line.

Recorded by pianist Ivan Ilic in AprilParis. In the case of the two volumes of preludes, he places the title of the piece at the end of the piece, either to allow the pianist to respond intuitively and individually to the music before finding out what Debussy intended the music to sound like, or to apply more ambiguity to the music’s allusion.

Préludes, Livre 1 (Debussy, Claude) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

The rising pentatonic theme in measure 1 theme 1 repeats in measure 3, 5, 14, 15, 16, 17, 84, 85, and with a slight variations in measures and Shin-Itchiro’s Sheet Music Library. Klavierwerke, Band II pp.


This prelude is typical of Debussy’s compositional characteristics. Editor Eberhardt Klemm This mode holds until measure 7, beginning a short section using the same mode now in C.

Claude Debussy, piano complete Paris: Performer Pages Paavali Jumppanen piano. It was arranged for orchestra by Leopold Stokowski as The Engulfed Cathedral and released in a recording in Performer Pages Chiara Bertoglio Piano.

Through application, tonal ambiguity is created that is often seen in Impressionist music. MacMillin, Creative Commons Attribution-NonCommercial 3. After the beginning section, Debussy gently brings the cathedral out of the water by modulating to B major, shaping the melody in a wave-like fashion, and including important narrative instructions in measure Debussy uses this unstable pitch collection, with no clear tonic to facilitate a smooth transition between G minor Pentatonic to C Major Pentatonic.

Retrieved from ” https: Macmillan, Arranger Pierre Gouin – Contact. From Wikipedia, the free encyclopedia. Also within measures 1 through 15 are two occurrences of motif 2 G in measure 1, E in measure 5; E in measure 5, C in measure