Find album reviews, stream songs, credits and award information for Alessandro Scarlatti: Stabat Mater – Emma Kirkby, Daniel Taylor, Theatre of Early Music on. This new release from Hungaroton features two late compositions by Alessandro Scarlatti. The main work is the Stabat mater but it is prefaced by a Sonata in C. This is a recording of a relatively rare version: the Stabat Mater that the Cavalieri della Virgine dei Dolori commissioned in from the most famous opera.

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The work is divided into four sections and the music is varied in form, going from simple recitatives to more developed operatic arias where the text is repeated three times, ultimately ending with a great fugue on the final “Amen”.

A. Scarlatti Stabat mater; Flute Sonata |

Soprano Emma Kirkbycountertenor Daniel Taylorand the Montreal-based Theatre of Maater Music a period-instrument group founded by Taylor tread catlike through the work, mateer was written some years before Pergolesi ‘s more alessanro Stabat Mater setting but was commissioned by the same Italian religious order. Romantic Evening Sex All Themes.

After this he managed the site by adding new composers and translations regularly. Scarlatti Stabat mater; Flute Sonata Stabat mater. He composed over cantatas, oratories and operas. Work Title Stabat mater Alt ernative. Retrieved from ” http: At the time of his death in he had Stabat Maters. The Scarlatti work, more than Pergolesi ‘s, is full of quasi-operatic devices — pregnant pauses, dissonant “sighs,” and, in the final “Amen,” some heady vocal acrobatics.

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Kirkby and Taylor are highly sensitive interpreters, however, and they work together in the work’s four luscious duets and separately to bring out dissonances and unusual phrase shapes that get lost in a bigger interpretation. Scarlatti Stabat mater; Flute Sonata. To those using these notes You are more than welcome to use all or part of these notes in your programme. Alessandro Scarlatti — was born in Palermo, Italy.

It is written for 10 voices and continuo and shuns the use of any concertante instrument as well as any double-choir writing, using solo voices emerging from the polyphonic texture to emphasise expressive passages.

Sonatas for Flute and Strings, C minor.

Alessandro Scarlatti: Stabat Mater

Soprano, alto and continuo 2 violins, cello, organ Length: When Maria Barbara married the Spanish crown prince inScarlatti followed her to Seville and thence to Madrid, where he spent the rest of his life. AllMusic relies heavily on JavaScript. Scarlatti composed his Stabat mater for the Neapolitan brotherhood of wlessandro Cavalieri della Vergine dei dolori.

Pro peccatis suae gentis. Only one other change: Pergolesi, incidentally, composed his Stabat mater for the same Neapolitan brotherhood and must certainly have takne Scarlatti’s setting as his model since the similarities are too numerous and too close to be merely accidental.

A. Scarlatti Stabat mater; Flute Sonata

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. Stabat Mater – Domenico Scarlatti – The soloists, Maria Zadori and Paul Esswood, are well matched in the duets and provide effective contrast with each other in the solo arias. One might wish for a new recording of the Stabat Mater by Cecilia Bartolia Scarlatti interpreter who can combine detail and athleticism, but for now this very expressive mwter is worth checking out.


As well as these masterpieces, Scarlatti also produced a considerable quantity of operas, secular cantatas and church music.

You are more than welcome to use all or part of these notes in your programme. Although Scarlatti had provided music for scarltati sacred and secular employers, he was unable to free himself from his father until he obtained legal independence in The Capella Savaria is an ensemble of period instruments which has not yet reached the degree of technical finesse achieved by our finest groups nearer home; but, by the sound of things, it will not be long in catching up!

Pietro Alessandro Gaspare Scarlatti Composer. He was one of the first exponents of the Neapolitan School See also Salvatori.

It’s one of seven scored for transverse flute, violins in two parts, cello and continuo which date fromthe year in which Scarlatti died. Esswood is on his best form here, conveying the strong sense of pathos implicit in both music and text.

It’s a spirited chamber group which gives an attractive account of the music as well as providing sympathetic accompaniment to the soloists.